FOCUS : Snake River Overlook

28 01 2010

Webisode ONE of my FOCUS series. This webisode highlights a photograph I took of Kristina while I was attempting to recreate Ansel Adams’ famous Snake River Overlook photo.

If you have a photo that you would like featured on FOCUS please drop me a via Email

To view my complete photography portfolio please visit www.grtaylor2photo.com





10 Bands To Photograph

26 01 2010

Here is a list of my 10 favorite bands to photograph and a couple of words in summary…

10. Mickey Avalon: Unpredictable on stage (photo)
9. Crowfield: New band to me & great music (photo)
8. Black Carl: Emma’s vocals (photo)
7. Death By Stereo: Hardcore from the crowd (photo)
6. Rusted Root: Great vibe (photo)
5. Agnostic Front: NYHC Legends (photo)
4. What Laura Says: Great on stage (photo)
3. Cage The Elephant: Next generation punk rockers (photo)
2. Rev. Horton Heat: Perfect lighting (photo)
1. Roger Clyne & The Peacemakers: Always a challenge – Great stage presence (photo)

I am proud of my list’s diversity. Each show was a very different experience which is why they stand out in my mind.

Agnostic Front : Yucca Tap Room / Tempe, AZ

What bands do you like to see live? Have you ever photographed their concerts? As always, we want to hear from you. Leave a comment and if you shot photos of the show add a link to share them.

To view my complete photography portfolio please visit www.grtaylor2photo.com





Concert Photography 101 : Basic Camera Settings

22 01 2010

Death By Stereo : Yucca Tap Room / Tempe, AZ
Taking great photos at concerts has everything to do with knowing how to use the proper settings on your camera. I don’t care if you are shooting with a $750 camera or a $7,500 camera. If you don’t know how to use it under specific concert circumstances – you will not get the shot.

Before the show there are a couple of things I think about. Have I ever seen a show at this venue before? What access restrictions do I have? Is there a photo pit? These questions all lead up to the final question: What is the lighting like at the venue?

Light dictates all of my decisions regarding camera settings.

ISO: The simplest definition of ISO is the measure of film’s sensitivity to light. In digital photography ISO measures the digital sensor’s sensitivity to light. (For a complete explantion: click here)

I set my ISO to the lowest available setting that produces a properly lit image. I don’t like to shoot at ISO 1600+ because of the noise or extra grain in the photo. With that being said – there are situations where it can not be avoided.

How Do I Know What ISO Setting Is Right? There are two ways to quickly determine ISO settings – Test shots or live view. Use your camera’s live view mode to see when you need to push (increase) the sensor’s speed. Live view is helpful to confirm settings before and during all my concert shoots.

Shutter Speed and Lens Aperture: As I mentioned in my previous Concert Photography 101 post, before I was comfortable shooting in manual mode I relied on TV (or shutter priority mode.)

Why? For most venues I tend to max out my lens’ aperture at 1.8 or 2.8 – so there is very little thinking about aperture. When shooting in shutter priority the aperture is automatically adjusted by the internal light meter (we’ll get into metering in the next post) as I alter the shutter speed. Again use your camera’s live view function to preview the photograph. It’s typical for me to change shutter speeds as the stage lights change. Often I go from 1/125 to 1/45 during one or two songs.

These three things (ISO, Aperture and Shutter Speeds) are the simplest way to get on the right path to taking good concert photos. I suggest you practice at your house and get a feel for how your camera reacts to different light. A good experiment is to turn on all the lights in a room – take a couple of photos with different settings. Do the same with medium and dim light. Review the photos and document the settings. Why would you wait until the night of the event to experiment?

If you visit my Flickr gallery you can view my camera settings for every photo posted – take advantage of this information and get a feel for what settings you’ll need at the next show.

As always, I want to know how you do things – leave a comment and share some of your knowledge with everyone.

To view my complete photography portfolio please visit www.grtaylor2photo.com

GRT2 Self Portrait July 2009





FOCUS : New Photography Web Series

20 01 2010

Here’s a quick preview of my new web series that starts next week! If you are a photographer or an artist and you have a specific photo or project you want highlighted please contact me via email. GRT2





Why Watermark or Brand Your Photos

18 01 2010

Casey Moore's Bike Rack : Tempe, AZ
No one likes to get ripped off and no one wants to feel cheated – I don’t care who you are.

Question: Do you host your images on popular photo sharing sites like Flickr or Facebook? If you answered yes and you do not take a moment to brand or watermark your photos you are running the risk of having your images stolen.

The topic of this post started with a question asked by my friend Devon. He asked if I could address the pros and cons of watermarking or branding self published photos. Thanks, great subject for discussion.

CONS

Aesthetics: If you are not strategic with the placement and size of the watermark or branding it may take away from the image. When placing a watermark, copyright line or logo make sure it doesn’t draw the viewer’s eye away from the subject and screw with the composition. The perception of the value of the photo to a prospective client can be lessened if you are not careful with placement.

After giving it much thought this is the only con I see when when it comes to this topic.

PROS

The list of pros far outweigh the cons. For starters, people will know who took the photo and subsequently who owns its rights. If you include  simple things like the copyright year and your website (or wherever your portfolio can be seen) it tells the viewer how old the photo is and where they can see more of your work. As photographers I believe it is our responsibility to make things as easy as possible for clients to get the information they need.

Another reason to brand your photos falls under the lines as the second point – properly branded photos will increase traffic to your websites.

Personally, I prefer a branding line over a watermark that covers up the image. Although a watermark is harder to delete and photoshop out of an image, aesthetically it’s horrid. I use a simple two line branding mark that includes my website and the copyright date. (I know that in some cases this can be cropped out and removed but after giving it some thought I’m ok with taking that risk to preserve the integrity of the photograph.)

HOW TO BRAND A PHOTO

Here is a simple overview of how I brand my photos. I process my photos in Aperture and after I make my adjustments I export the image to a work in progress folder. From here I will open the exported file in photoshop, open my .psd branding file and drag it on top of the photo. After I give placement careful thought and consideration I save the file. I will then import the altered file back into Aperture and stack the native image with the branded image (in Aperture stacking allows me to view thumbnails of the photos I use.) The last step is publishing the photograph to the platform of my choice.

My .psd branding mark is comprised of white text on a transparent background. (Download my branding mark and alter it with your own text by clicking here.)

How do you handle branding your photographs and watermarks? Leave a comment and let’s discuss…

To view my complete photography portfolio please visit www.grtaylor2photo.com

GRT2 Self Portrait July 2009





Concert Photography 101 : Getting Started

9 01 2010

Greg Taylor Concert Photography Gear

So, you want to combine your love for music and photography but don’t know where to start. I’ve developed a series of weekly articles will help you get started.

The first place to start is with a Digital SLR (DSLR) camera. Sounds simple enough but many people don’t realize that the typical point and shoot camera will not produce the shots you want. Sure point and shoots are great for snapshots of you and your friends but not of the show. I use the Canon EOS xsi with two different lenses. The lenses I almost always use are a prime 50mm f1.8 and a 24-70 f2.8. I find that very rarely do I go into my bag to grab a different lens.

Why these two lenses? The 50mm prime (sometime referred to as the nifty-50) is a lens every photographer should have. The 50 is an inexpensive way to have something that is fast enough for the poor lighting conditions of concert venues. F1.8 is more than enough when shooting at ISO800 – 1600. The 24-70 allows me to frame the shot differently. Whereas the 50mm is prime (no zoom in or out) the 24-70 gives me some more freedom. F2.8 is fast enough with a shutter speed of 1/60 – 1/125 while using ISO800 – 1600.

If you notice I haven’t mentioned using a flash. I never use a flash when taking concert photos. Why? Unless you are on assignment from the band or band’s management the artists really don’t appreciate a flash popping in their face during the set – or even the three songs you’re allowed to shoot (we’ll get to that part later in concert photo etiquette.) Many times the conditions of using a photo pass is “NO FLASH”.

Basic equipment needed: DSLR Camera (which has at least ISO1600) and a f2.8 lens. (Above is a photo of my primary concert gear.)

So you have the gear – now what? You have to know your camera and know the settings. I’m not saying before getting started you need to be the most technical photographer. The knowledge needed is how your gear responds in different lighting situations. What shutter speed? at which ISO? what f-stop? This is what makes or breaks the picture. Get the lighting right and your chances increase dramatically of getting a good photograph. Below are samples of my photos with various camera settings I rely on:

(Links to more of my concert photography with photo settings can be found at www.flickr.com/grtaylor – select image and click on properties)

Know your camera, know your settings, trust your instincts and have fun – chances are you have the best seat in the house!

The next post in this series will discuss ambient light and basic camera settings. The article will also include metering, aperture, determining ISO, and shutter speeds. (Other upcoming posts will include how to get the shot, framing – concert photography composition, post processing digital images, getting your photo equipment in the house and photo credentials.)

I want to know about your concert photography experience. What was the first concert you shot? How did the images turn out? Please leave a comment and show off some of your music photos.

To view my complete photography portfolio please visit www.grtaylor2photo.com





Photo365 Projects

5 01 2010

Here are links to some Photo365 projects from the photographers I spoke to about this post. Check out their work and let them know what you think.

Erin Taylor-Bell’s Project
Devon Adams’ Project
Stacy Ericson’s Project
Allan Saw’s Project

Here are links to where you can find other Photo365 projects – or create your own.

365 Project
Flickr’s 365 Days Photo Group

I want to know about your photo / art projects for 2010 – leave a comment and let us know. It’s all about collaboration! This blog places a high value on collaboration over competition!

My complete photography portfolio can be viewed at: www.grtaylor2photo.com